Priscila Maria lives in a favela of São Gonçalo in Rio de Janeiro who applies for a for a scholarship at a renowned private school in the richest part of the city. Her essay stands out and her scholarship gets approved by the evaluation board.

In addition to Maria, as she prefers to be called, two other public scholars get into the same scholarship: Zilton, 16, and Aline, 15. Although they got in, the three have a bigger challenge ahead: keeping their grades high, proving they deserve to be there and adapting to a world of privilege that never belonged to them.

Fábio, a Brazilian fleeing his past, will spend a season in Lisbon to work in an architecture office. There he meets a group of friends from various countries, including Maria, a Portuguese out of any stereotype, whom he falls madly in love with.

Ana and Lucia, two young Argentinians, leave the Escola Nacional de Cinematografia to film a road movie around South America, while angry with the closing of the film club at their university. At the beginning of the journey, on the run, after crossing the country's border, they meet Flora, a Brazilian, who dreams of being a great movie actress. As every film needs an actress, and vice versa, the three of them end up joining in an incredible adventure across the continent, bound for São Paulo, where Ana and Lucia will film the last scene of their film: Flora's reunion with the parents, with whom she broke ties ten years ago.

The film follows the trajectory of Juliana Jesus, who lost her mother due to medical malpractice. Marked by chapters that represent the 5 phases of mourning, Juliana takes us on a journey in search of ancestry and overcoming.

The documentary records the lives of people in the popular occupation of Jambalaia - a set of unfinished buildings in Rio de Janeiro that leaves 400 families homeless after being demolished by the city hall - the story is told from the point of view of those who sleep and wake up as part of this occupation, and also records the fateful day marked for the implosion of the buildings and the outcome for its residents, who lost their homes and were forced to survive, distant from each other, away from the only house they ever knew.

After naturally conceiving a son during the COVID-19 pandemic, the trans-centered couple Isis and Lourenzo begin a journey through Brazil in search of a respectful and specialized prenatal care, while fighting for their family's rights in what kills trans people the most in the world.

Based on the story of the first fatal victim of covid 19 in Brazil.

The story portrays the drama of Tereza's maid, played by Tatiana Godoy (mother of Maria and grandmother of João) lived by Ayana Amorim and João Victor Ferreira Lima.

The music video for "Cycles" by independent artist Mc Marechal talks a little about the turns of life. With expressive images of boys with firearms and flowers in their ears, "Cycles" shows some of the transition from childhood to adulthood.